Selection

golden-goose-golden-egg

A mass of metal glows upon the ground,
intensely densely yellow-cored and cold.
Beside it waddles awkwardly around
the mutant goose that laid those eggs of gold.
A solemn guardian presents your choice:
Now which, he asks, would you prefer to hold –
will this enchanted goose make you rejoice,
or would you rather own the heap of gold?

And even though the bird requires care
beyond the vigilance that metal needs,
the chooser every time and anywhere
will always pick the treasure that self-breeds.
Now don’t you think selection seems absurd
when product over process is preferred?

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Base Two

base2cards

If how we use our brains creates neural pathways that in turn permit how we use our brains, then perhaps how we use our communication devices creates avenues that govern our relationships with our communicators.

Ancient Greek had a dual tense. Nouns could be singular, plural or dual. Much of the Iliad is in dual; heroes and their best friends adventure together and the verbs used are for a pair of people.

When I studied Greek in college I was exposed to the dual. I learned then that older forms of English and German had it too. “Brether” and “childer” are almost-survivors in our language, lurking between “brother” and “brethren” and between “child” and “children” to show us a bit of how we used to speak.

I was enjoying dinner out with a dear friend recently, and we began bemoaning, nostalgically, the extinction of best-friendships. Both of us remember having a closest friend from age 12 or so: that junior high buddy, the everyday telephone connection, the pen pal during summer vacations, the go-to peer.

Our kids don’t have best friends. And their kids, as far as we can judge from the fledgling cohorts, don’t have best buddies either. The generations after ours are social – as interested in what their fellows are doing and as likely to be infected with FOMO (Fear Of Missing Out) as any youth who has gone before them – but they don’t limit their sharing to one special person, and their communications, broad and often spiced with TMI, don’t go as deep or reach as intimately as dialogue between two.

The idea that struck me over dinner: is it all about the phone?

I was a child of single-digit age in the 1950s. Homes had phones, but families had to share the lines and use operators to place calls, at least in the early years. I remember the rotary dial was high-tech that decade, and residential customers would pay extra to avoid a party line.

By the time I was entering adolescence we could place almost all calls on our own (we still used the operator for person-to-person connections to ourselves, which signified to our callers that we were home and prepared to answer the cheaper station-to-station ring, and kids away from home had to use the operator to reverse charges too). Then Ma Bell introduced the push-button number pad; I remember a new-tech display in Tomorrowland where I, super fast on the dial, couldn’t complete a call as fast as my unmotivated brother could push the new buttons. By the mid-1960s every home had a private line and all phones had buttons. Some of my girlfriends even scored their own bedroom extension – those adorable princess models that, we quickly learned, were too light-weight and short of cord to stay on our nightstands.

By the time I was 15 I was using the phone regularly. I was conversing nightly with my closest girlfriend and, occasionally, with a brave boy who called me to stammer into a conversation about nothing, always at risk that my father or younger brother would pick up the headset in the kitchen and harass us. Remember? Because I’m typing this all from memory, partly because I’m too lazy to research and also because I want to record recollection untainted by facts.

My kids didn’t cart cell phones to school but they seemed to have innate computer skills and they took to Internetworking like it was mother’s milk. I remember noting how prevalent mobile phone use was in Paris compared to here, when I spent some time there in 1997 – it seemed then that US cellphone service lagged behind Europe’s and that made sense; we’d so perfected our landlines that they didn’t need “improvement” the way phone systems elsewhere did.

But the kids were interacting. They were soon using email so much they started a special language for it. And then along came the bulletin board services that opened the way for LiveJournal and a few years later Facebook. Et cetera. The generations after the babyboomers dove into those media, lifting their eyes from their screens only long enough to roll them at us for our failure to understand how useful their networks are.

After us, kids didn’t engage one-to-one. They began speaking at large, sharing intimate details with their cohorts and omitting the deep revelations that only surface after heavy and continued communication with a trusted other. After us, it seems that a kid doesn’t relate to a person as much as to a posse.

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On the New Year’s Eve Puzzle

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We bought the new year puzzle yesterday:
a comic illustration of a bar
with aliens at drink and fight or play.
But it won’t interlock – most pieces are
designed to lean together and abut.
There’s nothing positive about the fit
so we don’t like the way the thing was cut.
But we can’t argue with the fact of it.

The object is to piece the pic together
without the box top, fast as we are able,
for this predicts the months ahead and whether
we’ll have the use again of our one table.
Of course we don’t know what the year will bring;
we solve and hope it’s surer than this thing.

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Shattered

shattered-glass[1]

Alan pulled to the curb outside Cassie’s place. It was nearly sunset on the last day of spring, still light at 8:30. He had such mixed feelings about this walk that he remained in his car for a minute.

What did he want? That’s what all his friends and family kept asking, and he still didn’t have an answer. He’d lived almost 55 years without asking the question; he wished everyone would give him a little more time to reply.

But it seemed there wasn’t much time left. Cassie blew their marriage apart almost two years ago, and now even she wanted some movement one way or another.

He couldn’t just sit in the car. He knew she knew he had arrived; it would be weird if he didn’t proceed up the path and to her door. He glanced at her front window and saw the curtain twitch. He hoisted his body out of his sedan.

At least it was a trimmer body. At first he dropped weight from confusion and upset, then there were the additional dog walks and the activities with Rhonda; Alan was at least 40 pounds lighter than when it all began. Everyone around him thinks he should have been angry, or devastated, but mostly what he experienced was like a hallucinogenic shift. When they got married it was forever, as far as he was concerned. He didn’t count the years each anniversary – that would be like X-ing off days on a prison (or holiday) calendar. When you’re in it for the rest of your life, individual years don’t matter. And sure he knew it wasn’t perfect, but what marriage is?

No: when he noticed the words on the screen of Cassie’s computer, when he confronted her about it and she confessed her affair, that started a cascade of shock and awe for him that was more surreal than anything he’d ever experienced.

But he still cared about her. He was in love with Rhonda but he still thought he and Cassie might be life partners. He certainly wanted to be amicable, be friends. Maybe he even wanted to stay married. He flip-flopped daily. He wished he could combine selected qualities in Cassie and Rhonda. But he knew he needed to choose.

He let Bingo out of the backseat. He retrieved her leash, the mail he’d collected for Cassie, and his jacket. He pulled the magnum of vodka off the floor and lifted it by the bag handles. The bottom ripped out.

The drop was only about two feet, but that’s all it took. That bottle hit the pavement squarely. The noise wasn’t loud – just a solid thunk – but the breakage was total. Alan was spattered with expensive liquor from his knees to his toes.

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How She Walks

images

Her heel is first to strike and find a base –
she forward rolls to balance at her toe,
while sinews in her leg extend and brace
the limb against the planet’s pull, and so
her body pushes forward, up, away
from where it postured just a moment past,
and step by step the distances decay,
like heat mirages fade when followed fast.

She lets her movement masticate the blocks
as she’s decanting earthy energy.
She rediscovers how her pulse unlocks
the avenues to anti-gravity
and where the key to everything she seeks
is hidden in the code her body speaks.

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Sparrow

othersparrow

By 6 a.m. I’m sitting at the screen
of my computer, straining for the word
I need to make a couplet sing, the scene
as mute as monasteries, when a bird
attacks my window, never seeing glass.
Its body bombed the pane so hard I jumped.
It dropped to ground too heavy for its mass
and fluttered out its wings, and then it slumped.

Investigating carefully I feared
I’d seen a sparrow take its final flight.
I gave it half an hour. It appeared
the creature might recover life and sight.
It took some time. I kept the dog inside.
The sparrow’s gone but I don’t think it died.

(published August 2013 in Cyclamens & Swords)

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Wayne

alice-in-wonderland-stayne--knave-of-hearts-eye-patch-adult-69047[1]

I love you less with every passing week
but I don’t want to tell you my dismay.
My closest friend no longer whom I seek,
I’m harboring a secret I won’t say.
For wouldn’t I be selfish if I told
unrest that may have little cause from you?
And yet my silence desecrates the gold
we struck when we agreed that we’d speak true.

I thought I wanted intimacy more
than any other circumstance in life.
I figured we in love could best explore
our selfy depths – for that I’d be a wife.
But from today I think us doomed to fail,
for speech is wound and silence is betrayal.

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Precious

cowmask

I acted in a play when I was 3,
adapted drama built of Gingerbread.
The coach had to create a role for me
so I played silent Heifer. On my head
he set a giant mask he’d painted black.
I wobbled onto stage and held my mark
and waited for the cue to wobble back,
and no one heard me speaking in the dark.

Around my head that cavern echoed speech,
so privately I voiced my favorite word:
I whispered “precious” over and again.
I’m sure that class was organized to teach
us all, but I obtained what no one heard –
a love of language harkening back to then.

 

I think it was my first enrichment. Either acting or else ballet, in New York. Later in California came horseback riding and art classes. I was bright, my parents were suburban, and it was the 1950s in the USA.

We put on two “plays” that summer. The littler kids did “The Gingerbread Man” and the older children performed “Peter & the Wolf.” I was one of the youngest of the littles. They made a role for me (daughter of the cow the Gingerbread Man chats with in his run), and I had no speaking part.

I remember my costume: black tights and leotard with a tail pinned on my butt. I may have worn gloves. Over my face and hair the grownups placed a big black papier-mache cow head, with eye holes so I could see and a screen over the open mouth, for breathing I guess, since I didn’t get to speak aloud. In fact the inside of the head was so roomy I’m sure there was sufficient air in there even without the mouth screen.

I followed my cow mother on stage. The director had us walk on hands and feet, which was awkward and made our backs slope wrong, but I guess it looked more authentic than hands-and-knees.

It echoed inside the head. I discovered that early and had nothing better to do than play with it. So I began whispering in my mask, savoring the reverb. I liked the sound of the word “precious” then. I still do. So my big memory of that performance was my mantra-like chanting, in whisper, of “precious, precious, precious.”

I didn’t get to see much of the “Peter & the Wolf” production, but my parents did. They attended the full double bill at the end of our season. Peter was played by a young lady. I remember one part of that play required Peter to skip around the front yard. My father told me after the performance that there was a mishap during the skipping scene. Some of the little picket fence fell over. He described how the girl playing Peter took the fence-tip in stride, stayed in role, and righted the fence while making her next skipping pass by it. My father told me that girl exhibited “poise.” It was my first exposure to the word.

Precious and poise. Those are what I learned from acting class.

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Suggestion

suggestion_box[1][1]

I mean to make you think along this line
before my little verse is fully sung:
Attend as you pronounce these words of mine,
to how you use and where you hold your tongue.

Is it absorbing food you shouldn’t eat?
Or is it dancing with my metric feet?
Is it another symptom that you’re stressed,
so hard against your palate, it’s impressed?

Now read me quietly, as still as air,
and sound my syllables within your mind.
Allow your tongue to nestle anywhere
it wants to be, and let the spring unwind.
Until you are becalmed and at your ease,
employ this as a mantra if you please.

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Isolation

220px-Cerebral_lobes[1]

I have my books, my children and my home,
discovered music, ideas and opinions,
but what can any person call her own,
and where and for how long are my dominions?
For I cannot possess. In fact I borrow.
And I cannot create. I only choose.
I can’t maintain today what by tomorrow
makes a yesterday I’ll never lose
but never own. As molecules don’t touch
but vibrate isolate in separate spheres
of microscopic influence, that much
am I apart. No matter what appears,
existence is a trick of attitude
and context, lit illusion, vaguely viewed.

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