Dream Therapy

dark

I recollect a nightmare that occurred
when I was five or six and learning fears,
constructed on a theme at once absurd
and absolutely normal for my years:
My father sent me to the basement stair,
but there the light was out – I couldn’t see –
and I stepped off the landing onto air
and plunged into a dark infinity.

I woke in sweat and terror, I recall,
at least a couple times, until I heard
me tell myself there’s no harm in a fall
of dreaming, and it never more recurred.
“I’m dreaming” rang inside me like a chord.
Then fall was flight and light through darkness poured.

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Feet (3 of 3)

feet

Lilah’s dad was in general wonderful. He wasn’t sexist like her mom; he encouraged her at various times to aspire to philosopher or doctor or scientist instead of secretary or nurse or elementary school teacher. But he like Jamie was a younger brother: an expert at baiting the ambient emotional females. He should have been sensitive to the fact that Lilah wouldn’t go bowling once she discovered the sizes were blazoned on the backs of the rented shoes. But no: he began to make comments about how she could go snowshoeing without the snowshoes.

His taunts made no sense to her. She had inherited her big feet from him! The whole family had sturdy pedal extremities; even her mother, the smallest mature foot among them, wore size 8½. It was the illogic of his statements that made Lilah react so strongly. But reaction of course was what the taunter sought; her father and Jamie and finally Sam kept making crazy infuriating statements about her big feet.

Fortunately, in Lilah’s opinion, Jamie had sons. He moved away from the rest of the family and only had his wife Laura to tease. Jamie and Laura raised their kids out of the country because Laura had a career State Department job.

On one of their early home visits, though, Laura shared some intimate details of their marriage. Laura tends to drink a lot, and she’s a small person (shoe size 6) so the Jack Daniels hits her hard enough to make her often tell more than Lilah wants to hear. She let it slip that one of her favorite foreplays was to have her toes sucked, forcing Lilah to envision Jamie performing that service (“TMI,” as Lilah’s daughter later taught her, when Cass was a teenager and her world was so full of three-letter acronyms that she even created the war cry “Down with TLAs!”). Too much information.

Lilah has looked back at her early childhood a lot over the years. She pretty much concluded that the early battle over foot odor must have been some anti-incest protection. After all, even with the sibling tussles she always found her brother Jamie to be an attractive, nice guy – certainly deserving of a better life partner than Laura made – and Jamie liked Lilah, too. She conjectured that the foot odor thing acted as some sort of barrier against them even fantasizing.

But recently Jamie and family came home on leave. They stayed at Sam’s and Beth’s house for the week; there’s more room there and the brothers were always close. After they left, Sam spoke about their visit. It went pretty well, he said, except that Laura ran through an amazing amount of sour mash whisky and presented a few snit-like problems after drinking. But Sam and everyone else in the family are used to that. Sam’s surprising complaint was about the evening time they all spent around his new projection TV set in the livingroom. “I couldn’t believe it, Li,” he said as they ate lunch in their favorite bistro. “Jamie and both of the boys kept taking their shoes off, and suddenly the room reeked! I couldn’t figure it out. It’s not like they don’t shower or wash their socks. But the odor was so bad my eyes watered! Beth’s too. I’ve never experienced anything like it.”

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Feet (2 of 3)

feet

Jamie started their sibling battle. For no reason that Lilah could ever determine, he snuck up behind her when he was two and she was five, and he bit her in the middle of her back. She was sitting on the red plush hassock at the time, engrossed in “The Howdie Doody Show” on the family’s big black-and-white console TV. She couldn’t even figure out how he sank his teeth into the concave part of her between her shoulder blades, but he bit hard and held on like a terrier; it really hurt.

Their squabbling started around then, and except for the times they became allies against elderly babysitters, they kept at it for the next decade. It was about a year later that Lilah got her first whiff of Jamie’s bare feet. He’d been running around outside in his shoes, and then he plopped down near her, newly barefoot, on the floor in front of the TV. “Oooh,” she squealed. “Stinky feet! Get away from me!” She wasn’t fooling. His small feet smelled like Kraft Parmesan cheese to her, and she was repulsed.

Jamie had excellent little brother skills. He learned early how to bait Lilah, and he carried his talents into his future, passively-aggressively taunting his sister, his mother, and finally his testy wife. He responded to Lilah’s complaint by alternately thrusting or sneaking his bare feet into her nasal environment and by accusing her of the same extreme malodor.

“Stinky feet! Stinky feet! Get your feet away from me!” It didn’t matter which of them said it or how far the accused feet were from the speaker’s nose. The livingroom was never big enough to separate them sufficiently, and the parental tolerance wasn’t big enough to ignore the battle. Jamie and Lilah were sent to their respective bedrooms more for the foot odor battle than any other argument, and only the passage of time, a lot of time, reduced the problem.

It went on for years. When Lilah was eight and Jamie was five and their baby brother Sam was just a few months old, the family moved from Long Island to southern California, and so did the foot odor argument. Suddenly they were surrounded by the bare feet of children. Everyone in the neighborhood ran around without shoes during the persistent warm weather, and most of the girls wore sandals to school. All of the fresh air must have dissipated the odor; the argument began to fade along with memories of snow holidays.

At first Lilah was shy about showing her feet. They looked pale to her even after weeks of exposure to sunlight, and her toes seemed longer than those of her new friends. She felt deformed, the way the fourth toe on her left foot turned under the third. But none of her friends commented; in time she began to relax about the subject. For a time.

But Lilah’s feet grew ahead of the rest of her. She’d be a taller-than-average adult, and her size 11 feet would eventually fit the rest of her frame, but her feet and nose grew before her legs and face in general; instead of becoming a coltish young teen, she thought of herself as a clown. Her father didn’t help.

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Feet (1 of 3)

feet

Lilah liked being an only child, until she was three. She would have continued liking it, but her brother Jamie’s birth changed everything.

“A woman gets two great loves in her life,” her mother told her a decade later. “Her husband and her first-born son.” Lilah’s mother learned that from her own mom, but she only passed the wisdom on to Lilah because she found it to be true.

It wasn’t that she hadn’t loved Lilah. But she’d been the youngest of her family and she never babysat. Her own mother died during the pregnancy. The simple fact was that Lilah’s mother didn’t know what to do with her baby daughter.

At first they had a nurse around. For three weeks there was a rigid old woman in the apartment, insisting that Lilah be fed on a schedule, issuing instructions about formula preparation and bottle sterilization, plopping the baby into maternal arms by the clock and then snatching her back for burping or changing or bathing or sleeping, as the program dictated.

After the nurse left, Lilah’s mother tried to maintain the schedule. But she didn’t feel confident. About the only times she really enjoyed her baby were when she dressed her in one of the elaborate feminine outfits the rest of the family had presented to mark the birth. The baby wore at least three ensembles each day.

Lilah’s father was amazed and besotted by her, but he worked five or six days a week. He cuddled his infant daughter whenever he had a chance, he took the nighttime feedings upon himself, and he would even have changed her diaper, but daddies didn’t do that then.

It was so different when Jamie came along. By then the young family was out of the apartment and into their first house. Lilah’s mother was confident. She didn’t dump the baby into her husband’s arms as soon as he came home.

But it was more than that. Lilah’s mother’s heart melted when the doctor put Jamie in her arms. Love bloomed in her chest, flooded her torso like it never did with Lilah. Jamie was smaller, weaker, needier. And then there were his feet.

The doctors said Jamie needed orthopedic correction. His soft feet twisted slightly inward, and the experts said the pronation would not mend itself. They plastered him from his toes almost to his knees, weighted him like for a gangland drowning, and sent mother and boy home with extra care instructions.

Lilah’s mom would have hovered anyway, what with Jamie’s relatively low birth weight and tendency to bluish lips, but those white casts pulled her like anchors on a chain. Lilah loved her little brother but she wearied of being shooed away from the bassinet. She longed to be lifted again, but her mother seemed to have arms only for Jamie. It got to where she hated to be told she was a big girl. That may be why she started shitting in her closet. Her parents responded, on medical advice, by giving her an enema and then placing her on the potty to show her where it was done. It was a traumatic event for all three of them, so her parents never repeated the lesson but Lilah remembered the experience as multiple and bad.

In time their situation improved. Jamie’s casts came off and Lilah resumed the desired toileting. Jamie’s feet didn’t give him much trouble when he began walking, except he never had a sufficient arch and he always pronated a bit, and they didn’t bother Lilah again until he was three.

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Making

The Maker manufactured every part,
created every atom and arrayed
us with a query in each human heart:
What will you with the miracles I’ve made?
For it is ours to recognize and use,
appreciate, assimilate and grade.
We cannot make, but we’re allowed to choose
how we employ the things the Maker made.

The purple bloom that drapes the laurel tree,
the robin that attacks our window pane,
the dragonflies, were none designed by me
but I can make them meet in this refrain.
That much of making is in my command:
arrangement with an aim to understand.

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Disposable Camera

film

We brought a little camera in our gear,
but fifteen pictures cannot capture all
the colors or the contours that appear
before our greedy eyes, for look how small
the window is that’s meant to find a view,
and see how it confines within its frame
a mere selected sliver of the true,
an image barely worthy of the name.

My camera obscura is a tool
that limits and diminishes my sight,
obscures the memory, and I’m a fool
who recollects a photo’s captured light
instead of what I saw. The film’s a trace
suggestive that dissects the desert’s face.

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Driving Assumptions

220px-Cerebral_lobes[1]

I was walking the dog this morning when a driver was rude to me. Details can be provided if you’re interested, but the significant fact was the driver’s failure to signal a turn to the right. If I’d known the car was going to turn before it reached me, I wouldn’t have waited for it to pass. My act of courtesy was repaid with rudeness, and I’ll confess I was immediately irritated. I checked out the driver as the car turned: a woman behind a reprimand-proof window.

Even as I tried to convert my disapproval to sympathy (poor thing – she must not know how to walk or she wouldn’t have shined on the waiting pedestrian), I was aware of the bias – women drivers! – and I didn’t want to be there. And then I wasn’t.

For as quickly as “women drivers!” jumped up in my mind, a correction jumped higher – it’s not about gender; it’s about use.

The truth is we use our cars in two different ways, and we go down a deadend path when we try to group driving habits into one.

Cars are used to cover distance fast, or to haul. When we drive for speed over distance, we want high-performance vehicles and we see ourselves as pilots. We strap in, pay attention, scan the horizon, stay tuned. When we use the car to fetch purchases or cart kids, we don’t care so much how the vehicle looks or drives. Pretty gets dinged or stolen anyway. We want shelter and room but basically we need a motorized cart. We’re not pilots. We’re operators.

Now consider who drives how. The distance/speed runs are road trips or commutes. The drivers tend to be men.

The drayage trips are made by householders and care providers. These tend to be women.

It’s true that as a pedestrian, I experience more rudeness from women drivers than from men (the exception is the male driver executing a turn while talking on the cell phone – guaranteed obliviousness). In general I can make book that when the driver fails to give me a helpful signal, fails to brake when the car in the curb lane has already stopped for me, or fails to look to the right when making a turn on red, unless a cell phone is involved, the driver will be female.

But that’s not about genitalia. It’s not about who the driver played with as a child. It’s about the driver’s approach to driving which in turn is driven by how the car is used.

I have a stonemason friend – very masculine – who uses his truck almost exclusively for short hops to jobs and to run his single-parent household. He drives like a woman.

Another friend is a total girl (the most feminine straight guy I know), but he only uses his car for his long commute or travel. He drives like a guy.

Or consider the jokes about Asian drivers. A lot like women driver humor. And consider, culturally, how that group has tended to use cars.

Just considering…

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Mirror Maker

mirrorback

The messenger assigned to comb the shore,
and carefully select the perfect sand,
invested half an eon in the chore,
and filled the holy bucket with her hand
until she had the quantity she sought,
and bore it to the purifying flame,
and while it cooked to clarity, she wrought
from Lilith’s rib a handle and a frame.

As grains of sugar melt to caramel,
so golden sand was altered in the heat
until it flowed translucent in a spell
of metamorphosis, and to complete
the magic gift, she mined some mercury,
pursuing metal slippery and round.
She caught it in its toxic levity
and laid it superficially profound
to make a backing silvery and bright,
so face of glass admits the eye to see
and back the basis sends the endless light,
reiterating like eternity.

She made the mirror, woman’s task and tool,
and yet the patent-holder is Semuel.

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Making a Naiad

water

Once upon a time, there died a girl who adored water. Not so much to drink, unless she was very thirsty. No, her name was Cody and she loved to be surrounded by water.

If you asked her, she would have said her favorite room was the bathroom. She liked the sounds a toilet makes, being used or being flushed. Washing her hands at the sink calmed her, and she loved to take a bath. But Cody’s favorite thing was the sound of water on water: the tones she heard when she lifted a handful, cupped in her palm above the bath, and then let it fall back on itself like a silver bell.

Her mother told her she swam like an eel when she was only three. Cody remembers the free release of stroking underwater in a clear lake or a chlorinated pool, darting like a pearl fisher across the wavy medium, when she was seven years old. She swam on a team in her early teens but she didn’t like that enough to continue: too much regular breathing involved with the crawl, she thought, for when she was under she wanted to stay under, tumbling zipping hovering, flying in water.

Freestyle wasn’t free enough for her. She craved immersion, where the sound of water on water was even finer than in air. She quit the swim team but continued to hang around the pool. She spent so much time in the bathroom at home that even her dirt-loving brothers complained.

But she wasn’t a mermaid, no matter her fantasies. Most of the time her hair didn’t have water to billow in, her legs didn’t have currents to stroke. Cody was a girl and she had school most days and homework or home chores most nights. She had at least one girlfriend to giggle with, at least one boy to be uncannily aware of. She grew.

She became more buoyant as she aged. While her brothers put on bulky shoulders, Cody built a butt and hips and other curves that made her float. It was no longer easy to dart underwater. She swam less. She bathed more.

The new fat was not her friend. Cody hated that she couldn’t swim like before. The ease of underwater left her as she matured, and boys got faster. They beat her to the tile. They grabbed at her ankles. They rough-housed. Boys always reminded Cody of her brothers. They all seemed to want to get girls dirty.

Cody always meant to fall in love. That was the whole point of the early mermaid fantasies: perfect grace and beauty earning the happily-ever-after. It’s true the kingdom Cody envisioned was beneath the sea, but it was exquisitely romantic nonetheless.

First she selected silence, thinking it meant strength, and dallied awhile with a dull man. Bill was tall, competent, quiet, and inclined to open up to Cody only, which initially seemed as flattering as a horse who threw off everyone else. But he was so grateful to have Cody that he nearly suffocated her with air kisses and loving declarations. He grew as talkative with her as he was quiet with others, till his chatter made her nervous, like clutter. Their union was so important to him she soon couldn’t find Bill-the-person in it, and she had to follow her heart away from it (him). She promised herself she would look for a man who didn’t have a hole in his soul.

Next she allowed (sincerely and openly) the attentions of a bonafide nerd. Ian was bright enough to be often interesting, but he overvalued brains. He was often supercilious, and so full of policies that no new information could enter. He’d long ago settled his opinions about politics, religion, education, choice, guns, settled his opinions like sludge in his soul. And the sex proved impossible without external costume and internal script, so unnatural to her she began to feel like a whore, and that quickly lost any kick. She tried at least to take a lesson away from the experience; what she learned is she couldn’t mate well without sex.

Despairing she ran from the smooth arms of that failure to a desperate marriage her mother advised. Cody’s mom was the one with the biological clock, and it was ticking perilously close to alarm, so she endlessly urged. Cody was surrounded, in fact, by mother and suitor and promises. And Gene was strong. He reminded her of her father and stepfather. He seemed sexy.

The problem was, Gene was brute strong. He moved her to a lovely house with a year-round musical creek in the yard, and that was great. He penetrated her body with a gratifying sort of authority, but then he sought to penetrate her mind. He called Cody names till she felt self-conscious. He mocked her laugh. He hugged her too tightly. With fingers he bruised.

When it was good, it was very good. At first their sex was compelling, and she tried to please him in bed. She obeyed. But soon he wanted her passive for him in everything. His commands drowned out the sound of the creek.

He tried to impregnate her, but that at least she could avoid. She defied her mother and Gene with prevention. Cody made sure Gene didn’t make babies with her. Finding her birth control pills was the last straw, for him.

At the end, she was in the creek. The strength of his arms overcame her buoyancy. Then rocks took the place of his hands on her chest and his fingers finally circled her neck.

At the end, his head swelled above her, balloon-like, through the undulating tendrils of her hair. His features seemed to craze behind silver bubbles. Cody emptied her lungs. She felt her heart fill with clean clear hatred for him as her spirit poured into the creek.

 

(This piece was evoked by Nick Cave’s “Little Water Song”)

Under here, you just take my breath away
Under here, the water flows over my head
I can hear the little fishes

Under here whispering your most terrible name
Under here, they’ve given me starfish for eyes
And your head is a big red balloon

Under here, your huge hand is heavy on my chest
Ah, and under here, Sir, your lovely voice retreats
And yes, you take my breath away

Look at my hair, as it waves and waves
Sir, under here, I have such pretty hair
Silver, it is, and filled with silver bubbles

Ah, and under here, my blood will be a cloud
And under here my dreams are made of water
And, Sir, you just take my breath away

For under here, my pretty breasts are piled high
With stones and I cannot breathe
And tiny little fishes enter me

Under here, I am made ready
And under here, I am washed clean
And I glow with the greatness of my hate for you.

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Mood o’ Doom

doom

What signifies this tightness in my chest,
and why so readily do tears arise?
From what this restlessness and this depressed
affect portending doom and joy’s demise?
How can I so distracted be at games,
or wide awake yet miss a paragraph
I choose to read? And how forget the names
I always knew, as well as how to laugh?

My center threatens it will overflow
and I would climb outside me if I could.
Inertia pierces me; I cannot go
or stay with certainty, and nothing’s good.
If there’s a tonic for this heavy fit,
I lack the energy to reach for it.

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