Still Life with Chocolate (Beginning)

toffeeette

Hank has been in his office since 7:30. Now that he lives on Telegraph Hill, he can walk to work in 20 minutes. Now that Tom’s away in college, he has morning responsibilities to no one but himself. Now that Margo has remarried, he rarely has to waste a morning getting hassled about his past inadequacies or current failings. When he wakes early thinking about a project, like today, he’s free to leave his bed, exercise, walk to work. He’s put in almost two and a half hours this morning, and he’s ready for a mocha.

At the same moment, Erica is carrying another pound of candy to the office. She can’t get her co-workers to dance, laugh, or exercise at all, and any one who’s getting sex isn’t getting it in the office, so chocolate is the only remedy they have for stress.

The box in the white bag contains a selected assortment. She picked dark and light bordeaux for Linda, California brittle for Beth, peanut butter squares for Fran, cashew brittle for Evelyn, and toffee-ettes for herself. Most of the candies nest in brown pleated paper, but the toffee-ettes crowd together in white cups; they stand out like twins in bassinets above a floor of rich brown.

Erica carries the package flat on her upright palm as if it’s a small tray. She jaywalks across Sutter and Sansome, looking right for cars and left toward the display on her building. Above the entrance to the ground-floor bank is a message in programmed bulbs. It offers some interest-bearing short-term account to the public, about which Erica never attends. She’s watching for the time and temperature, which always follow “CERTIFICATES/COMPOUND MONTHLY/MEMBER FDIC.” It tells her that in another six minutes it will be 10 am. It considers the temperature to be 68°. Across the street and a block north, the marquee above the Bank of the Orient agrees about the time, but reports 62°. As usual, Erica figures the outside temperature is halfway between the two digital opinions.

Four floors up, Hank stands and stretches. He looks at his Braun coffeemaker and confirms his desire for a specialty drink. He leaves his jacket hanging behind the door as he heads out. He stops first in the men’s room.

With the candy on her left hand and her double cappuccino in her right, Erica opens the building door by pushing a hip against the square handicapped-access button. It makes the far right door move outward toward her. She proceeds to the elevator area, and there reads the marker-on-mapboard sign that someone has placed on an easel. “General Fire Alarm Test Today,” says the first line, with “10 am, Floors 5 and 6” under it. Just then, Linda joins her with the day’s mail, and a familiar female face from their 6th floor steps up to wait with them
.
“Maybe we should just stay here till it’s over,” says the blonde woman whose name neither Linda nor Erica know. She’s referring to the fact that it’s now 9:55. Erica used to avoid these building drills, until lectured one day by a frustrated fireman – she’d blushed then to learn that if there were a fire and she didn’t know how to check in, she’d put first responders in danger while they searched for her in the office she had secretly abandoned. So when an elevator arrives she steps aboard, and the other women accompany her.

Erica’s normal morning procedure includes a stop in the ladies’ room before entering the office. She’s accustomed to positioning her very dry cappuccino at the end of the pull-down shelf in the stall; she has to be careful, for her coffee barely weighs enough to hold the shelf down. But she doesn’t usually have candy with her when she arrives. And she doesn’t usually have Linda. She enters the office instead, puts down her case, her coffee, the candy, her coat, and then visits the bathroom. She’s in an indelicate position when the fire alarm trips.

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History

history books

I don’t know why I never took to dates –
my brain retreats from listed history.
I’m talented with numbers in all states,
and puzzles with their tricky mystery
intrigue and challenge me, but as a rule,
this memory impressive in its scope
forsakes me now just like it did in school
at history, without a clue or hope.

Perhaps it’s that the scholarship is dull
for I enjoy a novel based on fact,
or maybe I intuit that it’s full
of propaganda, but it can’t attract
my interest or attention long enough
to let me get it any way but rough.

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Sociology

Bay_Area_Rapid_Transit-San_Francisco-image[1]

How complicated is society,
that over all its eons has evolved
to felt a fabric of conformity
compressed. It seems our politics dissolved
the bright connections out of which we made
a counterpane. It’s iron comedy,
or comic irony. Our escapade
is intricate; we run it clumsily.

I wonder we don’t wonder we can move
without collision. It amazes me
to share a train with hundreds half-an-hour
in sleepy co-existence, as we prove
our evolution in a company
unchosen, underneath electric power.

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Of Don & Paula (3 of 3)

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Paula wasn’t having any of it. While she sometimes argued that it is up to the victim to define whether abuse has occurred, she took exception then. She asserted that Maggie was too young to judge the experience when it happened, and too warped by the experience to relate its effects accurately now. Paula likes to think she has an open mind. There was no way she was bending it to okay the Don-on-Maggie business.

Don kept arguing. He called Paula “Fluffy” again, and when she objected he told her to lighten up. He said he called lots of women Fluffy, and he only used the term for ladies he liked. As far as Paula was concerned, that added insult to injury. But she didn’t want to argue by email; that’s too easy to misread. And she sure didn’t want to go into it on the phone – angry awkward silences were not her thing. She didn’t want contention in person either. She kept the plane tickets, and she told herself she had no intention of flying to Texas to fight. After it all ended, she wondered why she retained the tickets and the plan.

And end it did, just two weeks after the Maggie memoir. By then their biographies had progressed into early adulthood. Paula was narrating the events that led to her accidental career and Don was about to report on how he came to marry his Berkeley girlfriend and why she changed her name. Paula had been interested in his memories so far, but she was sitting on the edge of her ethernet seat when it came to these subjects.

She booted up her computer on February 14 with some happy expectations. She looked forward to the chapter he owed her, and she’ll admit that she expected some romantic gesture from Don. Of course it wouldn’t be flowers or candy (she disdained cut plants and was on one of her diets anyway), but the man knew how to write mediocre verse and was clearly an accomplished flirt. For the first time in years, Paula had Valentine hopes.

She got something, and it was surprising, but it wasn’t pleasant. The only good thing Paula could say about it afterwards was that was the day she learned what the phrase “hopes dashed” meant. She got to feel her hopes dash.

Don’s email didn’t come to her till late afternoon. By then she was on the verge of disappointment anyway; he was two hours ahead of her and she’d expected a romantic communication by noon her time.

He wished her a happy Valentine’s Day. He apologized for not writing earlier. He excused his tardiness by telling her he’d spent the day in jail.

Of course there was more to it. And it was only city jail and a very bailable offense. He reported that, on arising and acknowledging February 14, he decided to start his day by fetching pastries and coffee for Rain. His wife. What?

His email continued. In his hurry to the bakery he ran into roads closed for a marathon, and a cop trying to detour him in a very roundabout way. He grew obstreperous. It was obvious to the reader that his obstreperousness was owing to stress from not yet telling his girlfriend that his estrangement from his wife wasn’t (or as he but it in the brief email argument, during the few days between his arrest and the cessation of their correspondence, “well yeah we have separate bedrooms, separate wings of the house really, but it’s not like an armed camp, fer chrissakes…”).

What symmetry. It won’t survive an editing session, but it’s the truth. Don’s wife bailed him out and Paula bailed on their relationship. It was all too clear to her. She saved their email printouts for a possible future book.

But she won’t go there. Paula reviewed those emails recently and she is mortified. It’s easy now for her to see how impossible the heroine’s situation was. She had too much money and comfort to thrive in Don’s fantasy arena. He’d just about perfected his solitary-man Hemingway image, at least ethereally, and nothing Paula could say or write would penetrate that persona. Don was comfortable by then with his failures, his heartburn, his cycles of depressed self-disdain. He was so accustomed to feeling low that he wouldn’t reach for any fruit that wasn’t already in his larder. He was immune to better feelings.

Paula didn’t have much from which to choose. It finally came down to hanging in with the Don dialogue and leasing from that a little attention, or closing the book that never got writ.

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Of Don & Paula (2 of 3)

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So Paula assumed Don was eligible when she sent the first email. She had no marital aspirations herself (having not succeeded in the institution, more than once). She knew he was poor (she lost the money she invested through him, and she wasn’t alone, and he soon left that business for the separate but equally dismal field of residential real estate). Paula assumed it was okay to flirt with a free heart.

Both of them aspired to write. Neither expected to make a living at it, but that didn’t stop them from keeping journals, trying poetry, occasionally attempting a short story. This meant the emails were readable at least, and sometimes memorable. In fact, it only took half a week after Paula sent her first “I’m here – be gentle with me” and Don responded with defloration double entendres before they found themselves exchanging chapters of autobiography.

Each managed to write with an attractive voice. Don was funny, affectionate, and on the verge of macho. Paula expressed herself with humor and insight, and when she complained she tried not to come off as shrill. For she did complain a little, when he called her “Fluffy,” or assumed she was heavier or more Jewish than she was.

Don didn’t complain. Sometimes he engaged in screen silence for a day or two, which tended to prompt Paula to send short “are you all right?” messages, to which he then responded with masculine monosyllables. Those exchanges made her look anxious and talkative and him appear busy and taciturn. The screenplay was then favorable to Don. Paula resented it. They quibbled and then engaged in makeup emails.

But they continued. They wrote their stories to each other from birth through a few post-college years before interruptions occurred. They engaged in suggestive comments. They signed their electronic missives with increasingly long strings of X’s.

They learned that their early childhoods were spent two towns away from one another, in Suffolk County, in New York state. They found coincidence in the fact that their birthdays were exactly six months apart; both commented that their astrologer friends said the best mates split the calendar like that. They interrupted narrations about their first sexual experiences, not because the words got too hot, but because those memories reminded them of more they wanted to tell one another. Right about then, Paula sent Don an explicit short story she’d drafted (titled “Sex”), and Don confessed how passionately he wanted to nibble on the underside of Paula’s breasts: not enough to cause pain, exactly, but sufficient to mark her so she’d remember him all day. That email made her remember him much longer than a day.

Two events then occurred in notable succession. Paula bought plane tickets, and Don shared a sexual anecdote from his hippie history.

They were American Airlines tickets – SFO to DFW to San Antonio, for late March, for a long weekend. It made sense to Paula: a scenic city close to Austin but not Austin, to get Don away from work and stress. It made sense to Don for other reasons (“I’ll have to take a bit of care arranging,” he mentioned cryptically, and Paula didn’t ask him for details).

She bought the tickets for $215, two months before the trip. She looked forward to looking forward. So his early February recollection upset her.

He wrote about an experience from 1966. Paula was 15 then, but Don was a fully formed individual of 24 years. He was living somewhat communally that summer, with one ex-roommate from college and two other guys. It was the typical situation for white guys of that era: junk food and litter, water pipes and beer, nubile women in bright colors. Don’s ex-roommate had a wild little sister named Maggie who visited their bachelor den every chance she got. She was 13 and adept at sneaking out of her parents’ house; it became something of a ritual to return her to the suburbs on Monday mornings.

Don sent an email to Paula, fondly describing the first time Maggie climbed into bed with him. He characterized their romps as pure fun, unmitigated play, lots of laughter along with easy orgasms.

Paula objected. She typed the words “child abuse” into her next email. Don reacted with weird indignation. He even brought Maggie into the conversation; he was still in touch with her brother, and he acquired an email from Maggie where she agreed that their “affair” had been harmless, actually good for her, a transition from childhood to adolescence that she’ll ever appreciate.

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Of Don & Paula (1 of 3)

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She isn’t a Luddite, but Paula didn’t start using email till 1998. She’d been a pen-and-ink type of writer (she used a fountain pen because she didn’t want to press hard, and she held the cap in her left hand when she wrote, in case there was any ink inside the cap that could smear the nib). But after she acquired her first word processing computer in 1980, she began typing so much that the 8th grade lessons flowered within her. For a clerk-typist who only managed 47 words a minute when she took her first job in 1975, Paula blossomed into a touch-typist who could work the machine faster than she could write.

When she finally got into email (Eudora program), she liked it. She sent greetings to the half dozen friends who were already into it, and everyone replied. Soon she was involved in a daily correspondence with her old acquaintance Don. He lived in Austin, she in Berkeley, and neither was much into the phone for personal interchange; email was an easy way to chat.

They’d met three years earlier. She doesn’t remember how he got her contact information, but Don was then selling oil&gas investments, and he’d been calling her with limited partnership opportunities, now and then. They both gave good phone (their mutual aversion to the medium was not based on lack of skill but on overuse during work hours), and they developed a conversational relationship that included news, amusement, a little flirting, and mutual respect.

There was humor between them from the first call, and chemistry soon after. Don is a tall handsome personable man. He has always liked women and flirted well, and he has succeeded with a variety of them. He was a little old for the summer-of-love (born in 1942, he can’t claim to be a boomer), but he was still associating with his old college buddies and living near campus till 28; he was active and into the era between free love and the advent of AIDs. In 1970 he made the cross-country pilgrimage to the left coast, traveling with four friends and hooking up with a dozen more in Berkeley. He peddled flowers and balloons, drove a cab, and fucked women (friends and fares), knocked one up and married her, sired a few more offspring on her and then had to move the wife and kids out of state, to make money and preserve the growing family. His wife was almost as bent as he – she tolerated and sometimes encouraged his sexual adventures, she managed to never earn money herself, and she changed her name to Rain, formally.

Paula was not like Don and, except for the fact that his taste was so broad, she wasn’t his type either. He found almost every woman lovely, but he was attracted to long blonde hair and long slim legs. Paula is about five and a half feet tall but tips the scales at 160 when she is “good.” She has dark hair that curls becomingly with the right products and humidity, but often frizzes out in the coastal air. Her legs are strong and too sturdy to be described as slim.

They met about a year after the first telephone calls, about a month after Paula finally agreed to invest in one of Don’s deals. He made a trip to the Bay Area, partly to see potential prospects like Paula but mostly to visit buddies from the good old days. Paula will never forget walking from her office to the reception area and getting a first look at him. He was taller than she expected, dark-haired, large-featured: very much her physical type. She felt a strong attraction. Their eyes met and it seemed he shared the feeling. She hadn’t then learned that any guy that good-looking and personable was easy with attraction.

They had lunch that day, before he flew back to Texas. That’s when she first heard his personal history. That’s when she learned that his marriage was pretty much over; he just didn’t have enough money to split up with Rain. He told Paula how each of them had a separate wing in the house where they raised their kids and still lived. He said they led separate lives.

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Desperation

spelunking

I’m out of step – I walk today in pain.
My neck’s a starboard ache, but nothing much
compared to what I carry to the train:
a load of rage and rue too deep to touch.
For I can rub my neck or rest my knee,
and I can ice a sprain or wrap a sore,
but I cannot massage this injury
and I can’t cast protection against more.

The candle flickers till I trim its wick.
The lantern sputters till I give it fuel.
Affection falters, and the heart once quick
is slogging in an atmosphere of cruel
confusion and exasperation’s trap,
spelunking in this murk without a map.

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Morning Birds After Rain

hummer

The visions of this morning put to words,
in vain attempt to memorize the scene,
is all about the presence of the birds:
a hummingbird that matches fuschia’s green
and darting hovers dancing in the air,
and then a fair of seven matching crows,
a gathering once notable and rare.

Perhaps Tiresias its import knows,
but I am only witness to the sight,
as yet unversed in omens, dreams and signs.
I am but a walker in the light
that morning after storming sideways shines
and slips and probes and penetrates the gray,
in movement like a hummingbird today.

(This one was published in the August edition of Cyclamens & Swords)

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Exchange (End)

KONICA MINOLTA DIGITAL CAMERA

Miss Lubov that day was like a little bit of sphere poking through my plane of freshman existence. I was so limited I ought only to have been able to see a set of growing circles but somehow, through her passion and some sort of grace, I actually got to glimpse the shape of something bigger than I’d ever known before.

She said she’d keep my journal for awhile. Maybe I was supposed to visit her that summer. I almost remember where she lived. But we lost touch. I didn’t think it a bad trade to let her have my little journal in exchange for that big chunk of perspective. Even if she wasn’t right I’m glad I got to hear it. I didn’t see her after that. But I didn’t forget her.

Now there she was, three full years later. Those years for me, from age 18 to 21, were outstandingly full and long, years when a three-month relationship seemed permanent, when more events were packed into a season than a middle-aged I can collect in a decade. For Eleanor Lubov Carter they were rich but not frantic. She seemed even wiser.

We were delighted to see each other. I’m sorry, Gail (wherever you are), but I don’t recall her paying you any attention. Perhaps I left and she stayed on and made it up to you? I don’t remember anything after the reading.

We sat on the floor drinking wine and smiling into each others’ faces. I think her husband may have been in the room; I have a vague impression of a short man talking to the guys in the corner by the window. I can recollect Gail perched on the arm of the upholstered brown chair, Jean in the seat of it, Susan leaning over the back. I remember seeing the circular water stain on the hardwood floor, noting the absence of the big Boston fern that stood there for two years. Then Mrs. Carter offered to give me a Tarot reading and I stopped seeing anything else in the room.

“You won’t get it together to write till you’re 40.” That’s what she said to me. I know there was a lot more, although nothing else was as specific.

I was 21 at the time. I wanted to write. I wanted to disregard what she was saying. I didn’t believe in the Tarot anyway. I liked the way the cards looked but I was a rationalist.

“Listen to me,” she said with a serious gray look. “You will write. Of course you can do it before then. But the cards say that only after you are 40 will you really get it together. Hey: you’re going to get it together.”

I remember little else about that evening. Again my journal was mentioned. She still had it. I was invited by to get it. Given another address.

I never went. As far as I know, she still has the old journal. I continue to consider it a fair trade for the strange illumination she brought into my life.

I gave up my ovaries to the surgeon’s knife when I was 35. This body doesn’t know hormonal cycles any more. I suspended my attempts at loving partnership when I was 39. I’d found I wasn’t good at it, and didn’t enjoy it, and no longer needed it. Then I started to write.

This time with perspective. Now with authority. Not a bad bargain.

I wouldn’t be surprised to encounter Eleanor Lubov Carter again. Although the years are less eventful now they proceed with increasing pace. She ought to be by any day.

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Exchange (Middle)

KONICA MINOLTA DIGITAL CAMERA

I heard about Gail from Susan that year more often than from Gail herself, and Mrs. Carter was mentioned every time. I was motivated to meet the woman by the time of the term-end party. I picked up Susan and we arrived with salad greens at six.

There weren’t many people yet and the place was half packed-up, so it looked relatively cavernous. We greeted the few and got to work helping Gail in the kitchen. Jean looked lovely as usual in the face and hideous as usual in the knobby fat-free body. She was too weak to stand and of course not interested in food, so she sat at the table with a white mug of steaming water between her thin hands, talking to us about law school. We all knew she’d have to make a long stop at a hospital before any more school, but no one said anything about that.

I lost interest in the conversation and gazed at the plants on the windowsill above the sink. One jade, one pothos, one crooked little cactus. I fed them water off my fingertips, and the drops silvered in the oblique light of sunset. I tuned into the talk again when they switched to the whispered subject of female orgasm. Susan was trying to make a point but the others talked over her, drowning her out in friendly fashion, unwilling to hear anything about sex from the one among us who returned from her first night with a guy acting wretched, desperate to bathe, counting the 36 hours she understood it would take for all the nasty sperm in her to die. That’s what I think was happening when the doorbell rang and someone opened it. Gail breathed the name Carter. I turned and looked at the woman. And dropped the salad greens all over the sink.

“Miss Lubov,” I stated.

She said “Angela” back.

I began to stammer something. She smiled widening her whole face and came toward me with both hands extended.

I don’t recall our exact words. The next I remember we were sitting face-to-face on the floor, still smiling at one another, drinking red wine, catching up. Her eyes were large and gray. Her hair was thick and streaky.

I had taken comp lit from her my freshman year. She left the university at the end of that term, took some time off, taught back east, married, traveled slowly with her husband back to the west coast, and returned just in time to mesmerize Gail.

That comp lit course had been an experience for me. Determined not to read or write any criticism, I arranged with Miss Lubov that I would maintain a serious journal, with a minimum of four real entries a week. Of course it turned out that I worked harder on the journal than anyone in the class did on the assigned tasks, much harder than I would have worked if I’d been cooperative, and I knew that, but I didn’t mind. I was having too good a time with Yeats’s phases-of-the-moon cycle, as I toyed with the talkings of Robartes and Aherne, made poems, and dreamed in foreign languages. I was at my dormitory desk late into every night, sitting at the end of it I’d shoved into the closet for any kind of privacy from my hyperbolic hysterical West Virginian roommate, absorbing the underground music from my KLH table radio while I wrote and dealt solitaire and wrote some more.

I handed my journal to Miss Lubov at the end of the course, when all the other students turned in their take-home essay finals, and I showed up like all the others at my appointed time for a 15 minute oral final, expecting to get my journal back. It turned out to be a day of exploded expectations.

I knocked on her wire-glassed wood-framed door and when she said “Come in,” I saw that the student ahead of me was running over his time. Apparently Miss Lubov had gotten off-schedule. I excused myself and began to back out of the room, but she stopped me and repeated, “Come in.

“Really. Join us,” she said with a smile, and she pointed to a sonnet by Dylan Thomas and asked me for a sight interpretation. I said something satisfactory – I remember she grinned at me and the other student nodded – and we three chatted about the poem. Then she dismissed the student ahead of me and asked him to shut the door on his way out.

She had me take his chair. She turned to me. By then my 15 minutes were up and the next student knocked on the door and began to enter the room before Miss Lubov spoke. “Excuse me, Michael,” she said to the tall blonde guy in the doorway, “but I’m running a little late. Please take a chair in the hall.” He retreated. He closed the door.

She looked at me and smiled wider. “So tell me,” she asked as she leaned forward a little. “Why do you write like a man?”

I know my answer wasn’t elegant, because I was stunned by the question. No one had ever asked me that before. I hadn’t thought it. I stammered out something about all my literary role models being male. Which was true.

She countered with a luminous speech about the benefits of being female and an artist. She told me that when a male artist is in love he is conflicted. He must either make his art or make his love; he cannot do both. But a woman, Miss Lubov told me confessionally, a woman can love and create. She can milk her cycle, as it were, and use the play of emotional responses that comes naturally as a result of her changing hormone levels: here’s how it seems when I’m lusty, when I’m sad, when I’m cozy, when I’m mad, when I’m edgy, when I’m soft.

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