Q & A

talkbubble2[1]

A question needs an answer or it dies
an awkward conversational demise.
But all the questions hunt for are replies;
if truth the object is, it’s been forgot.

I’ve long ignored the evidence my eyes
and ears collect in all my futile tries,
so seeing it in words is a surprise,
but having seen it I deny it not.

A question gets an answer, it is true,
but true and answer needn’t be the same.
And auditors mishear, deny or duck
more often than they will attend to you.
So answering’s more likely trope or game
than loosing truth, and dialogue is luck.

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JSYK (3 of 3)

Hospital[1]

There was a button I was supposed to use if I needed the nurse. I had to reach above my head to push it. Some time late during that long night, close to morning, I felt another wave of nausea start to crest and I was simply too tired and disgusted to follow the procedure. Lying there on my back, I let the wave break. Vomit surged out of my mouth and fell back on me, sliding down both sides of my face and streaking my hair. I reached up with my right hand and pushed the button. Next thing I remember, I had an unattractive nurse at each side of me, sponging my face and hair and clucking. “Disgusting girl!” “You should be ashamed of yourself!” “Look at the mess you made!” I don’t think I said a word. I hope I didn’t say a word. I wasn’t sorry. I’m not sorry now.

Daylight came at last. I was put in a wheelchair for the final ride back to where I’d left my parents. They had looks of love and concern on their faces and a new ballerina doll in their hands. I never did like that doll.

***

So what do you think? I told that story to a good child psychologist once and she said, “Shit, if I were trying to write a prescription for how to make a child autistic, I don’t think I could have done better than that. It’s a miracle you survived.” But it wasn’t a miracle. From where I stood, there was never any doubt. For the truth was, I already had a rock-solid personality. It wasn’t going to retreat into the realm of nonresponsiveness. Instead, what I did was decide, then and there and once and for all, that I and only I was going to be in charge of me. Grownups do not necessarily know what is best. In fact, many of them are too stupid or inattentive or forgetful to be good guides.

I assumed control and responsibility for my life then. That’s what made it natural for me to cut the second day of kindergarten, and go next door where the class seemed more interesting. That’s what made it obvious for me to always wonder why so many students would consistently obey one not-even-very-tall teacher. To marvel, in fact, that you two will listen to me.

That’s what made me an information junkie! JSYK. All I ever want is word about what’s coming, so I can prepare myself or amend my schedule. JSYK, my children say to me as others would clear their throats. Just so you know…

But what made five-and-a-half year old me select responsibility over autism? Here’s the sweet thing: the very same childish parents who sent me unprepared down the hospital corridor also wrapped me every moment in love and care, childish love even, filled with impatient energy and fun. I think they liked me so much that I just had to like myself.
My parents are Americans. Childish. Rambunctious, impulsive, impatient, mischievous. They’ve always had roll-down-the-slope energy. An obsession about fairness.

It’s complicated, but maybe childishness is good.

See: grownups don’t tell the truth. Not so much because they’re dishonest as because they’re lazy. Mostly we all find adolescence so exhausting that we hang up the effort when we get to twenty-something. We put our questing on the Restoration Hardware hook that’s just inside the front door and we don’t use it and it atrophies. We don’t even often notice it’s gone, because we all contract a benign amnesia and we agree to forget how smart we were as kids.

Children are realists. Kids have the courage of their imaginations. So they’re limited by lack of experience…so what? every adult I know is complicated and imperfect. We’re all accommodating all the time. That’s the dance.

Of course I made mistakes with you. But I always liked and loved you so much that you can’t help but love yourselves. Lucky. Perfectly imperfect. JSYK.

Love,
I

cc: Mom & Dad, with thanks

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JSYK (2 of 3)

Dimethyl-ether-3D-balls

I think even my five-year-old self thought it was pretty inefficient to make me part of whatever their system was, but I held onto the paper and I got upset when some people pushed the sleeping man away from me. I complained aloud, and I remember someone (female?) approaching me and asking “And what are you doing here?” which did nothing to reassure me. All of the people who worked there seemed clueless about their jobs! I told this person that I’d been watching a sleeping man across the hall who was no longer there because some people had wheeled him away, and she acted like I made no sense and took the paper from me and looked at it. The next thing I knew, the door behind me opened and my chair was swiveled into a room. I was lifted from the chair onto a table-like surface, and wet strips of something like white cloth were laid across my eyes. Even so, I saw the steel strainer-like thing as it was lowered over my nose and mouth.

Then there were colors, all colors but especially vivid oranges and reds, and they spiraled before my cool-covered eyes. I heard a screaming chanting “Mom-mee, Mom-mee.” I think I remember the pressure of restraint; I recall feeling pushed into the surface on which I lay. Afterwards, I was told what I heard were my own screams. Long afterwards, I learned from an anesthesiologist that ether acts on us like alcohol, and children don’t like being drunk, and so ether isn’t used on children now. I know I hated it.

When I woke up I was in a bed and the bed was moving. Someone was guiding it into an elevator and down some halls to a huge room. Once we stopped moving, I realized there were raised sides on the bed like a crib; I didn’t know even the adults had cribs there, and I felt indignant.

I also felt nauseated. Someone showed me how to raise my head and vomit into a metal pan. So I lay on my back in a crib, in pain and disorientation, lifting my head and turning to vomit with obnoxious regularity.

As it happened, I wasn’t the only kid who had a tonsillectomy in the 1950s: just the first in my cohort. Everyone else was promised all the ice cream he or she could eat. I wasn’t told what would be done to me and I wasn’t promised anything. I was offered ginger ale.

I spent the night in that crib in that big room in that inhospitable hospital. It seemed to me then that I didn’t sleep at all. In the middle of the long dark time, I heard what sounded like a family chatting in their kitchen. I figure now it must have been medical folks talking and dealing with bottled supplies, but there were conversations involving a male voice, a female voice and a voice like that of a boy on the verge of adolescence, and I heard what sounded like the opening and closing of a refrigerator door and the clanking of glass on glass or metal. Those people sounded cozy and comfortable and I remember wanting to be with them but feeling unwelcome, uncomfortable, angry, sad.

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JSYK (1 of 3)

Hospital[1]

Kids:

My earliest memory, I think: I am posed like a doll upon my painted wooden toy box to be dressed, and then I’m riding with my parents, standing between them on the bench seat of their Chrysler, to drop Dad off at a Jolly Roger restaurant for his commute. I was around two years old. I also remember waiting in shame for my father to come home for lunch – I’d failed to use the toilet and Mom made me wear my soiled underpants – but since I understand I reverted in toilet training after my brother was born, I had to be at least three then. I think I remember real fear of the front loading washer, but maybe I recall my parents’ stories about that instead. I have a good memory, but I was the first-born of camera-crazy people, and I’m sure I confuse my impressions with theirs and with the slides I’ve seen so many times.

The toy box/Jolly Roger memory is mine; they don’t remember it. And hurt and shame memories are unphotographed and my own. Like the loaded underpants. Or the time when five-year-old I sat on the red hassock watching TV and my two-year-old brother bit me on the back. I date our eleven year sibling war from then. No one but me remembers when my mother caught me masturbating behind the couch in the livingroom (I was about five for that too), so I call it a true memory…

And though others were involved, I own the memory of my barbaric tonsillectomy. I was five and a half for that, and I understand the surgery was necessary because I was chronically ill with colds and swollen adenoids; my hearing was threatened. They also tell me the doctors advised my parents not to talk to me about the operation before it was performed. I find this hard to believe, but my parents are intelligent and honest, so I accept it.

We drove to the hospital and sat in a waiting area. A nurse-type woman came and took me away from my parents and into an elevator. She leaned forward and braced her hands on her knees, a posture I’ve hated at least since then. She asked “How are you today, MaryAnn?” I don’t recall what I said, but I was dismayed that she got my name wrong. I remember thinking she was stupid, phony, and ill-informed.

She brought me to an L-shaped room and disappeared from my life. The place was narrow where I entered it, with a pair of bunk beds on the right wall, and it opened up at the end to a light area with windows and a circular table covered with coloring books, and chairs holding two boys about my age. I wasn’t allowed to sit and color; instead I was laid across the bottom bunk, my pants were pulled down, and without warning or explanation I was given a shot in the butt. It happened too fast for me to protest, but I remember feeling outrage about the shot and humiliation about the boys.

Next they put me in a wheelchair. I didn’t mind the ride, but too soon the chair stopped and was backed against a corridor wall by a door. The person who had been pushing put a paper in my hand and said to stay in the chair and watch the man who was lying on the wheeled bed across the hall. This man appeared to be sleeping on his back, covered to the neck with a white sheet.

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B & W

doom

Damp, the heavy air depresses trees
and pushes on my shoulders as I stride.
Each molecule seems large enough to squeeze
it like a sponge, with fingers modified
to make of morning fog a syrup pool,
to juggle water traveling in air.
Today is normal overcast and cool,
and water is suspended everywhere.

The bay and train and sky are steely gray,
and leaves are cloaked in grayish overtone.
If water should be blue, then we today
are living an old movie. Monochrome
our setting is, our camera black and white,
but for July and here the tones are right.

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Love Letter to a Cottage

Atrium at 7 PM July 4

I dwell inside a draftsman’s wooded dream.
A spirit-cradling cottage shelters me
that hunkers in the elbow of a stream
that serenades its shaded property.

A year and some ago, when first I found
the house and walked into its grained embrace,
when I beheld its depth of fertile ground,
I felt that I was home. I’d gained a place
that knew me like it waited patiently
asleep for me to find or rediscover
security. Now I could let it be
my friend, protector, confidant and lover.

Perhaps I lived here in another life,
but if the place were male I’d be its wife.

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Kurt ‘n Pete (Part 3 of 3)

School_Building_21611_7[1]

There was quite a brouhaha about that swastika. It was 1960 then, not that long after the war to end all wars. Eve’s parents came to school and impressed everyone with their directness and civility. That made Rita pay a little more attention to Eve.

“She really is bright,” Rita reported to Joan. “She’s been having these headaches and they make her obnoxious. But I had her vision tested yesterday, and she’s getting glasses now. The headaches should go away. I don’t know, Joanie,” Rita conjectured, “but I think that girl will grow into a fine person. Interesting, anyway. Unlike the others.”

“The others in class?”

“No, just the other three. Isolating them has worked for the rest of the class. But Betty Sue and Kurt and Pete? I tell you: I look at their faces and I can imagine them roughening into adulthood and then sagging into age. I can do that. And I can imagine someone analyzing their childhoods at the ends of their lives, turn it around and look from here at the adults they’ll likely be…

“Betty Sue won’t get far from where she is now. Kurt will probably go into sales and be some kind of corrupt, and I imagine Pete will lead your standard life of quiet desperation.”

Rita didn’t manage to forecast the fights.

There were no incidents of note between the swastika graffiti and early spring. Then Betty Sue had occasion to “call out’ first Kurt and then Eve.

Heard on the playground: “Betty Sue’s a re-tard” and “I’m rubber – you’re glue – whatever you say bounces off me and sticks to you” and “Make me” and “I don’t make babies; I hurt ‘em.”

Reported to Rita by some of her good students: Betty Sue called Kurt out. They met (with their seconds: Patty for her and Pete for him) in the field between school and the community center. Betty Sue provoked Kurt into throwing the first punch but she won. Smaller than Kurt, she was more athletic than he, and she was angrier.

Reported later, by Eve-with-her-parents: Betty Sue called Eve out and Eve tried to ignore her. She didn’t react to the taunting words during school hours, and she started for home with her neighbor Cindy right after the last bell. Betty Sue and Patty caught up with them in the middle of the fighting field. The taunting began again. Eve tried to keep walking. Betty Sue got in her way and snarled in her face. Cindy just stood there. Other kids arrived and formed a loose sympathetic circle, but no one intervened. Betty Sue continued to provoke, with Patty providing unnecessary encouragement. Still Eve wouldn’t fight. Finally Betty Sue exorcized her hostility by defacing Eve’s white cotton blouse. With a number two pencil, she wrote every bad word or phrase she knew on the blouse yoke and back. Eve endured the inscription in silence. She tried to be dignified. She wondered why no one helped her. When she got home and her mother hugged her out of her wrecked blouse, they both saw that the pressure of the pencil had made small lacerations on her shoulders and upper back.

Betty Sue got suspended for three days. She had to apologize to Eve. Eve got shamed by the fight. She had to work her way through that. Rita got to reckon with the fact that she needed to change jobs. She wasn’t doing these kids any good as a teacher any more.

She made some thoughtful forecasts to Joanie at the end of that year. They had already decided that between Rita’s savings and Joan’s earnings she could afford to go back to school in psychology. So what if she was sixty-three: she came from longevity…

She predicted that Kurt would have an okay life. She figured he’d always have an asshole childhood but he’d likely end up a hospitable, semi-educated man. She predicted a boring future for Pete; he didn’t have the oomph needed to even begin to live up to potential. She knew Eve would grow into her brilliance and be a formidable successful personality. She assumed Betty Sue would continue her family legacy of poverty and sloth. She expected she herself would be a satisfied therapist; that’s why she made the big change.

As it turned out, she was wrong about herself and Betty Sue. Rita made it through the program and got the license, but she found her new career disappointing. It was even more repetitious than teaching, and promoted more pessimism.

Betty Sue blew everyone away by making it to and through college (sociology) on a financial-need scholarship, and then through law school on a scholastic one. She was a litigator for a mere six years before starting on what has been a meteoric political career.

Even Kurt ‘n Pete vote for her.

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Kurt ‘n Pete (Part 2 of 3)

School_Building_21611_7[1]

Rita was terribly tired by the end of that first day. Kurt had already balked at everything she assigned, arguing with her or rocking but not doing, while Pete slouched in his seat and watched. Betty Sue’s presence hadn’t inhibited them, and she in turn seemed to be picking some sort of feud with Eve Hoffman, the dark quiet girl who sat in front of her.

“I’m not sure I”m going to make it this year…” Rita said as she entered her house. She expected to find Joan in the living room but the couch was unoccupied. “Joanie? Where are you?”

“I’ll be out in a minute.” Rita heard water running in the bathroom sink.

“You’re not at it again, are you?” Silence. “Joanie; don’t. If you keep shaving your arms the hair will just grow back thicker.”

Joan Selman and Rita McDaniels had known each other for twenty years, taught in the same school for fifteen, lived together for ten. Rita was a decade older, but at their ages that made no difference. They knew each other well. Joan knew that Rita would never stop advising her, and Rita knew that Joan would rarely heed the advice.

“At this point,” Joan said as she walked into the living room while rubbing lotion into her forearms, “the damage has been done. I’ve been shaving for thirty years; if it really does make thicker stubble I guess I’m already enjoying the effect. Want wine?”

“Sure…” Rita expelled the word with a tired sigh as she sat heavily into the couch. “And how was your day?” Joan taught fifth grade, a gentler year than sixth. She previewed many of Rita’s students for her each term.

Joan carried two glasses of red wine to the couch. “Not bad, actually. I may just have a good class this time. So far all sweethearts. Not like last year.” She sipped her wine, set her glass on the big coffee table, and relaxed against the high back of their antique sofa. Rita noticed tiny red bumps of inflammation on Joan’s pale arms.

“Apparently it’s my turn this year. I got Kurt ‘n Pete.”

“No!” Joan sat up strongly. “We have three sixth grade classes. Those two have got to be separated. I complained over and over to Skiles last year…”

“Well the Miller and Lefkowicz families must have complained louder.” Rita’s eyes met Joan’s in agreement about their opinion of Vice Principal Lorna Skiles. “I talked to her at lunch. The two families believe their underachievers will do best together.”

“I’m sorry, Rita.”

“It’s okay. I’ll get through it. I always have, haven’t I?” She smiled for a moment. “Anyway, I’ve also got Betty Sue Stuben, and I put her between the boys. That should make for something.”

It did. As the days shortened through September and October, Kurt rocked and mocked, Pete slouched and smirked, and Betty Sue got irked and harder. Eve began to speak up in class, which surprised Rita. She knew the girl was bright; the school had just skipped her from fourth grade to sixth, and Rita couldn’t remember that happening before. That skip also meant Joan had no advance knowledge about Eve, who appeared shy at first, so Rita was amazed to watch the child blossom and humiliate herself. Eve appeared to be an unbridled egotist, smart and talking smarter, blowing hard about being one of the “chosen people” in a school with few Jews, irritating everyone but mostly those nearest her seat. Hostilities grew between Eve and Betty Sue, Eve and Kurt ‘n Pete, Betty Sue and Kurt ‘n Pete, the four of them and the rest of the class.

For Halloween Betty Sue climbed onto her roof and managed to egg Kurt ‘n Pete. The boys in turn sniped with Kurt’s BB gun from his bedroom window; Pete aimed and hit Eve in the upper thigh but she was far enough away that it didn’t do more than sting. Just before Chanukah a swastika was painted on Eve’s driveway. That really upset her parents, and the perpetrator was never found, but Eve always knew it wasn’t true anti-Semitism and it was Kurt ‘n Pete.

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Kurt ‘n Pete (Part 1 of 3)

School_Building_21611_7[1]

Kurt Miller and Peter Lefkowicz were two among thirty in their sixth grade classroom. They were the bad apples in Miss McDaniels’s thirty-sixth year of elementary school teaching; frankly, she didn’t have the patience any more.

Kurt was kind of ugly and naturally insolent. He wore a habitual smirk, he spoke out (loudly) without ever raising his hand, and when he wasn’t speaking he rocked in his desk chair, pushing forward and snapping back in the small space. Autistic children rock like that, and Rita McDaniels knew it, but Kurt wasn’t autistic. He was too mean to be autistic.

Kurt was fat, freckled, and clumsy. His brown hair was chopped off in a careless home style. He bit his nails.

Pete was rather good looking. Dark-haired and fair-skinned with fine features. His eyebrows would bush out and meet over his nose by the time he was in high school, his features would sharpen, his posture would bend and his hair would grow coarse, but in sixth grade he was handsome. He had a facial expression that looked cutely confused then, but it would mature into a look which was usually sardonic and sometimes mean.

They were only two out of thirty, but Rita McDaniels knew that they’d require attention out of all proportion. They were brighter than average, neither working to potential of course, so there they sat, rocked, laughed, and siphoned far too much of her away from twenty-eight others.

“I’m too old for this,” she thought that first day of the school year. “No,” she amended as she set her bag on the teacher desk, “it’s not that I’m too old; it’s just that I’ve done this for too long.”

She was sixty-two then, and more of an observing psychologist than a teacher. She could run through the sixth-grade curriculum on automatic. Her teaching for the last decade or so had not been inspirational to her students or herself; what popularity she still had came from her reputation. The parents of some of her current students had been in her classes twenty-five years ago; they remembered the dictionary quizzes and current events contests that Rita no longer had the energy to run.

She didn’t get satisfaction out of teaching any more, but she enjoyed forecasting. A long time ago Rita noticed that when she looked at the childhood photograph of an adult she knew, she could see the face of the adult in that child. She figured that she ought to be able to see the face of the adults in the children before her, and she often played a predictive game. The students found Miss McDaniels’s way of sometimes looking at them unnerving; rumors grew about her stare the way they grew about Miss Selman’s stubbly forearms.

She didn’t do much predicting on that first day of school. Rita was preoccupied instead with the seating plan. If she separated Kurt and Pete it seemed to her that she’d have problems in two areas of the room. She decided to concentrate the issue and she seated the boys close but not next to each other. She put Betty Sue in between.

Betty Sue Stuben was… well, trailer trash would have been Rita’s father’s phrase for her and her family. They didn’t actually occupy a trailer – there was no court or mobile home park in the area anyway – but the large family was crowded into a three-bedroom box house on the flat land near the freeway. Betty Sue was the third of eight children; her two older brothers as well as her alcoholic father came and went in that household so that they were sometimes an unsupported seven and at other times an in-fighting ten.

Rita didn’t think Betty Sue was stupid, but she could tell the girl wasn’t bright either. She had stringy mousy brown hair, nondescript features in a pasty face, a firm average-size twelve-year-old body. Most of the other sixth graders started the year at age eleven, but Betty Sue hadn’t been sent to kindergarten and had only been enrolled in first grade when she was seven and a representative from the school district came calling. No; Betty Sue wasn’t bright, but she was feisty and wouldn’t tolerate Kurt’s and Pete’s habitual hostility.

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Honesty

books[1]

Delicious ambiguity is mine.
So the aspiring poet thought to muse
and muse responded, quick and by design,
that neither wit nor wisdom will excuse
attempts at bright dishonesty. Look here:
select your phrases carefully; compose
them of the words that render vision clear.
Make poetry as accurate as prose –
as accurate but better at its part,
for you equip your poem with rhyme and feet:
the first to let it sing within the heart;
the last invites the head to hold the beat.
If rendered well a poem’s a perfect note
of nothing, with no market but a quote.

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