Antimatter

shattered-glass[1]

A vacant lot with shards of bottle glass
appears below the train a brilliant field
of sunlit gems, although you know an ass-
hole did it, drunk & thirsty, muck-congealed.
A mushroom cloud, a tidal wave, a storm
of any kind appears magnificent.
The lamb-and-lion that’s supposed to warm
our hearts? It bores the most intelligent.

Too bland the good authority displays
as aim and end: those unattractive scenes
of pasture peace. Our mischief nature strays
from sunny paths and antiseptic dreams.
Hermetically and Lokily designed,
we twist a grin and deviate in mind.

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Steady Catcher (End)

ball

It got to where Abigail even witnessed herself. She floated like a spirit above her own right shoulder, noting herself in act or word. Many engage in this sort of self-examination, especially girls especially in adolescence, but few are as adept and distinctive in the disconnection. Without any pathology or problem, Abigail managed to watch herself and even enjoy her own embarrassments. (She was able to retain the separation well into adulthood. It passed unremarked, the way a headache does, sometime in her forties. That spirit at her shoulder merged into the rest of her without fanfare, but she retained some ability to laugh at herself.)

She was surprised but not shocked when Selena’s mother killed herself. It was only a few months after Abigail saw her with Kevin, and things had always been volatile in Selena’s household. The family was from the South, with wonderful traditions about music and hospitality, but the parents drank strange cocktails, and fought loudly and often. Their back porch faced Abigail’s bedroom window, and she often heard the arguments.

She knew about suicide from “Madama Butterfly.” It was her father’s favorite opera, and he’d had her watch it with him, on television, when she was five. She hadn’t minded the odd loud singing, and she rather liked the music, but she’d been completely blown away at the ending. She couldn’t understand how something called “entertainment” could have a sad ending.

So she wasn’t shocked when Selena’s mother killed herself. But she was very sad. And she wasn’t at all prepared for Selena to show up pregnant, by (spitball) Pete of all people. Selena and her father moved back to the South.

Abigail didn’t do much steady catching after that. She went to junior high school, and bigger fields of play. Perched like an angel on her own shoulder, she watched others, she watched herself, and she took notes.

She became a counselor for her peers. Something about her invited confidences; girls and boys both came to her with their stories, and she gave advice about sex and romance, studies and cheating, philosophy and science. She soon realized that everyone else was at least as insecure as she was, and trying to hide weakness from others. What mystified Abigail was the way everyone else seemed to believe the weaknesses could be hidden.

She read voraciously. She took her models more from books than from people, because the people around her seemed amnesiac or timid.

There were no worthy girl examples in her environment, and by fourteen she gave up any idea of being a boy. It probably wasn’t a coincidence that she had her first period (finally) three months after her fourteenth birthday. It certainly wasn’t a coincidence that, according to her lockable diary for 1964, she started her first diet two weeks before she saw her that menstrual blood.

She read several books a week. She despised the story characters who responded passively to life (Candide) or who whined (Hamlet). She loved challenged individuals, like Howard Roark or the circumscribed Lizzie Bennett. She tried imagining and building the female she wanted to be.

In time, Abigail even fell in love and married. That she didn’t do these things with the same individual is probably the only deep disappointment in her life. She fell for Owen in college, but she couldn’t keep him after he broke apart. His mother’s suicide precipitated his own psychosis, and Abigail turned to the easy comfort of her friend Bill, for marriage and (memorable) parenting and (amicable) divorce.

She is still taking notes. She continues to observe. She writes some of her own story now, and then she reads about a young woman called Biga or Abigail. She knows the character lived her days with attention and passion, but on paper Abigail seems passive and reactive. This disturbs her; it makes her wonder if she was incorrect about Candide and Hamlet, or inaccurate about portraying herself. She’s beyond middle age but lately she feels like she’s stepped behind a dedicated batter, and she’s steadily catching herself.

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Steady Catcher (Middle)

ball

The next wrong thing she noticed was how the world and even the parents treated her and Barry differently, based on nothing but the shape of the well-concealed area between their legs. It didn’t seem to bother anyone but Abigail that all girls were supposed to like dolls and hate bugs and all boys were supposed to like getting dirty and making noise. No one else commented about how the women always congregated in the kitchen and talked about food and diseases and babies and fashions while the men hung around the fireplace or the radio and discussed more important, interesting things like politics and history. And her comments were largely ignored.

By the time she got the position of steady catcher, Abigail had developed quite a facility for witnessing, and Biga had learned (mostly) to keep observations about the witnessing to herself. She was nine years old.

From behind the batter, she watched Pete from up the street pitch spitballs. She watched Selena flirt with Kevin, and she saw Kevin respond (Selena was fourteen and adorable, and one of Abigail’s most regular role models, but Kevin was seventeen and a sophisticate even in Selena’s eyes).

Her skill at witnessing improved, and sometimes she followed up with a bit of following around. Selena and Kevin never noticed when she snuck after them into the berry patch near the market. There she watched them suck on each other’s faces and necks and sometimes grope each others’s laps, and received impressions which she carried into her dreams.

As steady catcher, though, she witnessed most, and drew conclusions about kids. She saw that a lot of the neighborhood girls really did act scared of bugs, and apparently liked rainbows and dolls. She observed that most of the boys were more rambunctious and seemed to get a kick out of messing things up. She didn’t feel like she belonged with the girls, who tended to squeal and shriek and even bounce with joy about small things. She didn’t feel like one of the boys, either, because she didn’t care about being chosen for a team, and she had no desire to set fire to things, or to chase birds or rabbits.

Abigail felt alone outside, and Biga felt alien when she was in her family home. She kept watching. She took to writing notes. Her birthday was in January, and every year her parents gave her a diary with a little enclosing flap and a lock. Each was a different color, but they all had the year stamped on their vinyl bindings. Abigail wrote almost daily in them through 1966. After that she disdained diaries but kept journaling in a spiral notebook, until midway through the 1990s, when she switched to a computer.

She watched Selena and Kevin and sometimes just Selena or just Kevin. Witnessing Kevin led her to observe him in completely inappropriate congress with Selena’s mother, who was lovely and vivacious and exotic in their neighborhood, but who was also married and at least forty. The autumn she was twelve Abigail happened to see them doing the actual it, in the screened back porch of Selena’s house. It was a schoolday so Selena was away and her father was at work. Abigail was home recovering from a flu. She was quite well, actually, but her mother believed in keeping her home for a full twenty-four hours after her body temperature returned to normal, and the twenty-four hours wouldn’t be up for another six. Her mother left her alone while she went grocery shopping or something, and Abigail couldn’t resist a little backyard snooping. It was so easy to see into Selena’s porch next door. In fact, as Abigail realized that she was watching the shape of Selena’s mom’s butt against the screen, as Kevin pounded into her and nuzzled her so Abigail could make out the top of his head, it occurred to her that the pair was being so indiscreet as to invite discovery.

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Steady Catcher (Beginning)

ball

In the beginning, little attention was paid to community space. The Levittowns were built on farms that were subdivided into sleepy plots of box houses with attached garages and symmetrical yards. There were no plans made for mini-parks and no land reserved for playing fields.

Cars didn’t have seatbelts, or padded dashboards, or traffic. It was 1950.

Post-war couples left the cities. They moved into the houses in the new suburbs, and they reproduced. Their oldest children watched the roll of development compound like a snowball; through the split rail fences in their backyards they saw the sprouting wood frames that became split-level ranch houses in any of three different floorplans.

Kids were born, and kids play. With no fields nearby they had games of baseball in the street. That was safe because every third road was a dead end (later called “cul de sac”), and its bulb made an adequate diamond.

A decade later, after communities created places for the ballgames, a lousy player would be stuck in the far outfield, like Lucy in the “Peanuts” cartoons. Abigail was a lousy player. In those dead end street games, the spot for someone like Abigail was immediately behind the batter. Her position was steady catcher. No matter who was up, that’s where she was.

It’s not like there was any trick to being catcher. No one bunted. The rules didn’t allow the batter to advance on an error. There was never a close call at home plate. She didn’t even have to squat. She stood behind home plate and tossed the unhit balls back in the direction of the pitcher.

Being steady catcher meant she didn’t have to bat or field the ball. That made everyone much more comfortable.

There was no referee in those games: no cheering squad or audience. She was the only nonplayer present. The steady catcher was a witness.

Abigail already had plenty of practice at witnessing. She was the firstborn of infantile parents, and she’d developed the idea at an early age that she’d better pay attention, because she couldn’t be sure her mom and dad were. It wasn’t that they were stupid or disadvantaged, either; it’s just that her parents were young, romantic, and without a clue about caring for kids. Both had been the youngest of large families, and neither ever babysat. Her father delegated most of the day-to-day parenting to her mother, and her mom was unconfident at the role, impatient to smoke cigarettes, drink coffee, and shop, and susceptible to anyone else’s advice about childrearing.

So Abigail knew, when she was two years old and her father gave her an enema, that her parents could do wrong. The penetration offended her so much that she remembered the insult as repeated, when in fact her parents, terrified by her reaction, only had the nerve to do it once. She’d been balky about toilet training, and they were advised to try controlling when she went, and therefore where. It was an ill-conceived idea, and young Abigail instinctively knew that; she was very angry at her parents, but they seemed as upset as she was, and she forgave them.

She knew again, when she was five and a half and dropped off at the hospital without explanation for a tonsillectomy. Much later, her parents informed her that the pediatricians really had advised them not to tell her anything about what was going to happen. She accepted that, although she never understood how anyone could have followed such clearly unsensible advice. But at the time, Abigail knew her parents should have told her what was coming, just like she knew the first nurse shouldn’t have called her Annabel and the other nurses, the ones around after she woke up from the horror and had to keep puking in the bowl by her head, shouldn’t have spoken about her so she could hear them. She forgave her parents, because she loved them and they loved her, and because she believed they needed her, but she didn’t trust hospitals or nurses after that.

By then her brother had arrived. Barry emerged when Abigail was three and a half, and as soon as he started talking, she became Biga. Her mother refused to call her Abby or Gail, so Barry made Biga from what he heard of Abigail. Her parents went along with it. They even made “biga-sister” jokes. Abigail never liked it and even protested against it, vehemently at times, but the nickname stuck, around home.

Mom and Dad and Biga and Barry. They made a magic square. Two old and two young: two female and two male. Except that three of them were babies, and then there was Biga. The others went along with the world as it was and seemed to have no trouble understanding its rules, and then there was Abigail.

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Bike Route

bicycle2_1[1]
As irresistible as comfort food
and almost as compelling as a shit,
I had to ride my bike today. The mood
attacked at 8 a.m. I felt the fit
right after reading; restless vigor jarred
me from my coffee, made me mount the seat
and balance while I pushed the pedals hard
along these roads of asphalt and concrete.

So up to Milvia and right on Hearst
I coasted down to Acton and turned north.
At Rose a red light stopped me, and the first
few drops of sweat emerged. I pedaled forth
and headed up the slope of Monterey,
and shot for home with nothing in my way.

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Cipher

zero flip

A novel theme of nothingness I write.
A journey into zero is my goal.
I’ll tell a hundred stories to invite
your mind, inspire you, embrace your soul
in legend arms to whirl you in the dance
demanded by the music of the spheres.
No choreography is left to chance.
Improbable occurs in zero years.

To nothing, zero, cipher, aught and naught
I organize exploratory tours.
In loops of revolutionary thought
I pick the plot and language. What secures
us now from negatives is nothing more
than zero standing vigil at the door.

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Kindling (3 of 3)

Dorm Room 1950s

It was never calm in room 312 when Michelle was there. She smoked incessantly and she tossed her lit matches into the round metal waste basket. After the third trashcan fire, Mel had to conclude that Michelle liked the flames. They managed to extinguish the flares themselves except one time. Then firefighters poured into their hall to the sounds of the floor alarms and the usual yell of “Man on floor.”

Mel knew that Moe slapped Michelle sometimes, and it may have been disloyal and politically incorrect of Mel to even think it, but her roommate seemed to ask for it. It was like a dance Michelle and Moe performed and each knew the steps; the reward was some kind of fabulous makeup sex, busy mouths locked on each other’s loins for hours, hours – a scene that Mel and Mike couldn’t imagine well enough to mock.

Mel once saw it from the other side. Instead of being in the dorm room studying when Michelle tromped in, she was at the fight when Michelle stomped out. They were all at Moe’s and Nasri’s place. Mike and Nasri were playing a long game of chess and Mel was reading when sounds of profound argument began in the bedroom. Epithets and drawer slamming.

Soon they were in view. She was leaving, he was following yelling, she was turning screaming, and he was reaching for her at the door, taking her by the shoulders and shaking her a little to emphasize his words. It was scary, so sudden, but then Mel saw that Michelle was moving under those hand-covered shoulders, resonating like a tuning fork, amplifying the sway till her back was smacking the door. Mel witnessed her helping the passion look good before she tore out of there for the privacy of her bouncing bed.

Mel saw all that, the choreography, and appreciated it like a good observer. But she somehow never realized that the sags and shadows of Michelle’s body signified more than harmless ventures into sex. Why that girl had birthed at least one baby, and Mel never knew it till recently, gazing at her own used belly, thinking back.

West Virginia. Michelle never went back. She and Moe didn’t make it of course; neither did Mel and Mike. Mel lost touch with her after their freshman year, but she heard tidings of her last month.

Michelle married a fireman. They moved to Nevada. She settled down in the Sparks area and raised four kids.

Mel got the news from Alain’s wife Rita, after connecting with them on the Internet. Alain seems successful: a tenured math professor well-married to a self-employed businesswoman. Through them she learned about Nasri’s disability and Moe’s death in a rock climbing accident. They told her one knew where Mike was. They forwarded some e-mails from Michelle.

Her letters were creepy. It sounded like she had gone completely over to the other side. An avid church participant. Probably fundamentalist. Profoundly anti-choice. So consistent about denying her past deviance that she sounded like she believed the rewrite herself. It was easy to resist re-acquainting with her.

The view of Michelle is much more satisfying from here, thirty-eight years backward, noticing clues that Mel never thought of then. She can still see Moe edged forward on his chair, fired by argument, punctuating his opinions with sharp drags on the unfiltered cigarette between his orange fingertips. She’ll never erase the vision of wide-eyed Michelle in vehement, naked, chaotic bounce. They were young then, weary and excitable, coiled in abusive ballet. They’ll always be action figures on the sex side of Mel’s shelves.

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Kindling (2 of 3)

Dorm Room 1950s

There was a posse of guys from Wilmington, but after some sifting three emerged distinct: two Alans and a Moe. The first Alan was brilliant at math and adept at French, and he was just then changing his name spelling to Alain. He had lank dark hair and acne-scarred cheeks and decided the night they met that he was in love with Mel. The second Alan went by his last name, Nasri, which was as strange as coming from Delaware. He was wide-eyed and fat-cheeked and no one ever saw him work at anything except chess. Mel’s not sure he ever graduated. She heard he went straight from Cal to Social Security for some mental disability, and she knows it’s unkind but she can’t ignore all the acid he dropped – she’s sure whatever he has was self-induced.

Then there was Moe-who-would-be-called-Maurice. He was medium tall with medium brown hair, and he affected a slouch like James Dean. He looked insolent and a little dangerous, but he was just Morris Zimmerman from Wilmington, and Mel never realized till now that on top of being just Moe from Delaware, bombastic about books and politics and really not very good at French, his name almost certainly meant he grew up Jewish, and somehow, even after all the guidance Mel got from her aunt and her mother and the rest of the sisterhood, she didn’t notice that. Then too, she never realized that Nasri was an Arabic name, with whatever that suggests.

Moe and Alain and Nasri sauntered into the orientation dance the night Mel and Michelle moved in, and they zigzagged through the crowd – “Hi. Where you from? What’s your major?” – till they got to the roommates. Then Alain fell in love with Mel, Moe and Michelle sparked like a match and gasoline, and Nasri shuffled.

Mel’s social life took a little turn. She didn’t leave her dormitory neighborhood to spend as much time with Ellen as she had imagined she would. The boys were a year older and lived in apartments a block away. They had kitchens and no curfews, which felt almost as liberating to the girls as moving out of their parents’ houses; they couldn’t resist stepping into real-life unsupervised apartments. Mel and Michelle grew closer than they otherwise would have: spent more time together out of their room than in it; talked about the boys when they weren’t with them. Mel didn’t return Alain’s regard but they managed to be friends. Within a month she connected with his pal Mike from D.C., so she was in the picture with or without Alain. She and Mike were relatively hot. Enough so to trade their virginities on a striped mattress on Spaulding Street that December. But they couldn’t hold a candle to the passion that was Michelle and Moe.

“The thing is,” Michelle used to start her speeches to Mel in their room, forefinger aimed like a pistol shaking with her vehemence. “The thing is…” Mel will always remember her stabbing the air with those words. She’d be bouncing naked on her twin bed, on her side of the room, hair flapping, breasts swaying, belly shaking, angrily declaiming over some offense of Moe’s, threatening to kill herself, to throw that unclad body from the window at her side, even though they were only three floors up and the sliding glass only opened six inches. Small as Michelle was, even she would never wedge through that space.

It seemed like the only time she spent in the dorm was after a fight with Moe. She’d storm in, heated, flushed, indignant at least, and pull off clothes she’d worn too long. She had fine-pored olive skin and her big breasts hung in U’s like Mel’s mother’s. Her aureoles were brown instead of pallid pink like Mel’s. She was slim but her belly draped a bit over her crotch, wiggled oddly when she then climbed to bounce on her small toes on her small bed, O-eyed and O-mouthed with that finger out: “The thing is…”

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Kindling (1 of 3)

Dorm Room 1950s

Well sure Mel has a split personality. Who doesn’t? It’s not a problem unless it’s a problem.

She’s always been bright. Very cerebral.

And she’s always been fascinated with sex.

So she has two strains of relationships: the deviants and the nerds. They never meet.

There was freckled Betty, who she taught to masturbate at five. Catholic Nora and their fifth grade theology debates. Then Candy, always into sex, who practiced deep kissing on her when they were ten, who joined Mel at eleven in shallow caves behind the school for sessions of self-molestation, and who had to drop out of tenth grade, pregnant with the first of her five odd-fathered babies. Mel’s brilliant careful best-friend Ellen, discovered in high school, multi-laterally religious and scientific too, with whom she sought the answers to the ultimate metaphysical questions. Dark Michelle in college. Mary, ingenious and distracted, deep in ADD, Mel’s first attempt at a business partnership at thirty. Vee, just Vee, for overdrinking and overdrugging, for groups and gropes and the death knell to the Mary venture.

It’s Michelle she’s remembering now. Michelle and Moe. He affected Frenchness and asked everyone to call him Maurice, but his birth certificate read Morris Zimmerman. Mel was struck when they declared to her that oral sex was better than genital. Their statement blew her away. Mel was a virgin then.

She met them when she first came to college. But the retrospective is a better view.

The memories formed in Berkeley. The year was 1967 and the cast of characters assembled in September. Mel had selected her dormitory site unseen, solely for its proximity to Telegraph Avenue. She and Ellen had been parentally prohibited from sharing a room, owing to a recent (chaste) misadventure involving a bonfire and older boys at Stinson Beach. Mel had no roommate preference other than her best friend. So she picked the residential obelisk closest to all the action, and she took her chances with random assignment. She got Michelle.

There was no sign of her when Mel’s parents delivered their first-born to room 312. Michelle made her appearance soon after they left.

“Are you my new roomie?” Her voice piped like a child’s, lilting on “room.”

Mel turned away from organizing her underwear drawer, to first sight. She felt no love and little interest. She intended to get along with her roommate of course, but Michelle was no Ellen. She sounded and looked a lot like what Mel was trying to escape.

Michelle was cute. Short, small, with sleek brown hair longer than Mel’s, round chocolatey eyes, a pert nose, big breasts, tiny feet. Her lips weren’t full but the upper one curled poutily. Her fingers were short and her palms were plump.

“Where you from?” she continued after Mel smiled and nodded greeting at her. That voice! High, thin and sweet. Mel wondered if Michelle’s vocal chords were shorter than her own.

“Oh, I just crossed the Bay. You?”

“West Virginia.”

Mel was floored. She’d heard of West Virginia but she didn’t know precisely where it was. West of Virginia, obviously, and she knew Virginia was somewhere near Washington, but she didn’t know U.S. geography then. She’s learned it since, through Internet games, and she thinks West Virginia has the funniest shape of the fifty.

Coal mines. Mountains. What they call mountains in the East anyway. Mountains with their tops shaved off, for coal. That’s what Mel had heard about West Virginia. What she asks now is: why was Michelle coming all the way to Cal?

For that matter, Mel wonders now and wonders why she didn’t then about the homes of all the other students she met during orientation. Half of them were from LA (Grant High School or Uni), but all the rest were out-of-state. There were kids from Wisconsin, Oklahoma, Montana. A clot of them from Washington, D.C. But the group of young men who became her friends were from Delaware.

Delaware. The state that makes Maryland look big. The place with Chancery Court and a reverence for corporations. Traveling all the way to UC…

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Forecast

forecast

They say we’ll have a wind today. We’ll sit
beneath immobile haze between two highs.
Your head will ache; you’ll have a coughing fit.
And more’s the startle that these facts surprise.

Is anyone awake? Why be so shocked
to learn a toxin’s poison or it’s bad
to microwave your brain? You know we rocked
a tender balance:
Now the gods are mad.

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